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2013年2月26日 星期二

【另類觀點 Alternative View】給李安的公開信 An open letter to Ang Lee

網路上有許多護神的鄉民或媒體因李安正在奧斯卡的高點,正是台灣之光絢麗時,所以容不下任何有損李安的言論,將這篇文章解讀為樹大招風,無妄之災。平心而論,李安的確並沒有在謝詞中提到這個視覺特效的團隊,也沒有聲援他們早先被硬生生趕下舞台麥克風斷訊的窘境,他們的謝詞時間比李安短很多。這種境遇其實血淋淋的說明視效不被合理重視的現況,被誤解為只是技術人員的偏見。相反的,傳統為導演掌鏡的攝影師已經不再如此對待,已在大眾心理建立藝術的地位。其實視效所做的,也是充滿著技術挑戰,其中牽涉美感、牽涉程式運算,並不亞於其他任何的電影技術人員,也應獲得藝術成就的尊重。

李安要求他們降低預算,其中原委細節,無從評論。李安沒聲援他們,的確使他們傷心,他們感覺到被遺忘,更何況正值他們公司破產之時。不過,我相信李安是無心的,也正如他應該對這個產業非常陌生。打個電話慰問他們,在媒體上釋放一些感謝他們藝術成就的努力,這無疑是為過去誤解冰釋的好機會,也提醒眾人對於辛勤努力工作者尊敬。

都加油~~

Dear Mr. Lee,

When asked about the bankruptcy of Rhythm + Hues, the visual effects house largely responsible for making your film “life of Pi” as incredible as it was, you said:

“I would like it to be cheaper and not a tough business [for VFX vendors]. It’s easy for me to say, but it’s very tough. It’s very hard for them to make money. The research and development is so expensive; that is a big burden for every house. They all have good times and hard times, and in the tough times, some may not [survive].”

I just want to point out that while, yes R&D can be expensive and yes it takes a lot of technology and computing power to create films like yours, it is not computer chips and hard drives that are costing you so very much money.  It is the artists that are helping you create your film.

So when you say  “I would like it to be cheaper,” as an artist I take that personally.   It took hundreds of hours from skilled artists and hard-working coordinators and producers to craft the environments and performances in life of Pi.  Not to mention the engineers that wrote all of that proprietary code and build the R+H pipeline.  That is where your money went.  I’d say, judging from the night you just had, you got one hell of a deal.

Incidentally, those were the same gorgeous sunsets and vistas that your DP Claudio Miranda took credit for without so much as a word of thanks to those artists.  And the same animated performances that helped win you the best director statue.  Nice of you to mentionthe pool crew, but maybe you could have thanked the guys and gals who turned that pool in to an ocean and put a tiger in to that boat?

It was world class work, after all.  And after a fabulously insulting and dismissive introduction from the cast of the avengers, at least two of whom spent fully half of their film as a digitally animated character, R+H won for it’s work on your very fine piece of cinema.  And just as the bankruptcy was about to be acknowledged on a nationally-televised platform, the speech was cut short.  By the Jaws theme.

If this was meant as a joke, we artists are not laughing.

Mr. Lee, I do believe that you are a thoughtful and brilliant man. And a gifted filmmaker.  But I also believe that you and everyone in your tier of our business is fabulously ignorant to the pain and turmoil you are putting artists through.  Our employers scramble to chase illegal film subsidies across the globe at the behest of the film studios.  Those same subsidies raise overhead, distort the market, and cause wage stagnation in what are already trying economic times.  Your VFX are already cheaper than they should be.  It is disheartening to see how blissfully unaware of this fact you truly are.

By all accounts, R+H is a fantastic place to work; a truly great group of people who treat their employees with fairness and respect.  Much like Zoic Studios, the fabulous company that I am proud to work for.  But I am beginning to wonder if these examples of decency will be able to survive in such a hostile environment.  Or if the horror stories of unpaid overtime and illegal employment practices will become the norm, all because you and your fellow filmmakers “would like it to be cheaper.”

I for one won’t stand for it.  Please join me.

Warmest regards and congratulations,
 Phillip Broste
 Lead Compositor


article source:
http://vfxsoldier.wordpress.com/2013/02/24/an-open-letter-to-ang-lee/

translation:
http://animapp.cloudapp.net/blog/production/compositing-and-effects/905-an-open-letter-to-ang-lee-by-phillip-broste.html



Life of Pi | Visual Effects Making Of from BUF on Vimeo.


'Jaws' Music Cuts Off 'Life Of Pi' Visual Effects Team Oscar Speech (VIDEO) 
http://www.huffingtonpost.com/2013/02/24/jaws-oscars-life-of-pi-_n_2756380.html

Oscars 2013: VFX Artists Blast 'Disgraceful' TV Moments
http://www.hollywoodreporter.com/news/oscars-2013-vfx-artists-blast-424304


2013年2月25日 星期一

李安得獎前的訪談

http://appledaily.com.tw/appledaily/article/entertainment/20130225/34850089/李安自剖19年征戰奧斯卡心路誓言拍國片再奪外語片

今日有設計課,在開車路上得知李安得到導演獎,一路上整個廣播充滿歡樂氣息。還沒聽得獎感言,但早上出門前在水果網站上看到頒獎前夕的訪談報導。其中李安談及他自己是處在主流的氛圍裡,指的是他的路術,包含觀點與手法,說他若是美國人的話,應該無異於其他美國電影人。但他謙稱他是外國人必須在美國市場裡打滾,因而造就他必須關注藝術市場並使他得到特別的關注。從這段話裡,除了他儒家式的誠實與謙卑外,他在專業光譜上的自我認識與見地更加顯現他的視野寬度與人外有人的謙虛。得獎是其次,態度與過程都彰顯李安固然是主流的擁護者,但也值得非主流路術打從心底的尊敬。

more info:



http://www.independent.co.uk/arts-entertainment/films/news/oscars-2013-ang-lees-best-director-acceptance-speech-for-life-of-pi-in-full-8509550.html

2013年1月21日 星期一

一代宗師 觀影隨筆






不知道是習慣了還是偏見地袒護的作用下,我看王家衛的電影始終都能很順暢地隨著其漫遊。

在觀影之前,於FB上就有些許留言說劇情鬆散畫面唯美。
看完之後,的確說的並沒有特別離譜。

但王導的敘事手法似乎都是如此。他特別強調這次是用編年體的方式,交代這些細節。我觀影中有留意到的地方,唯一時空特別不一樣之處是宮二小姐問葉先生知道十年前的除夕他在那兒(1950)先演,其後才交代宮二當年的情景(1940),其他就大致是順著年代走,交代時代變遷下的武林變化。這是個敘事大架構。

有了架構之後,血肉精髓以宮二的經歷主導故事性,對於自己、天地與蒼生,從桀傲不遜帶點刁蠻的小姐,到為了一意孤行復仇所做的犧牲與付出代價的束縛,終至生命意志的潰散。其中的對話都符合王家衛的角色特質。很酷、很壓抑、很真誠、很偏執、很炫麗。

喜不喜歡這部電影? 若你問我,我會說還是中意!! 很享受其中情緒的起伏。
滿不滿意這部電影? 若你問我,我會說少少無中意!!
我覺得雖然畫面優美,但功夫的拍攝手法似乎跳脫不了革新後的招式,從十年前的臥虎藏龍到爾後的matrix,似乎沒有創造新的里程碑,有點失落,畢竟功夫場面真的很多。

最後,聽說王導有意把刪減很多的影片收錄到DVD裡,有四個多小時的終極版本。張震、宋慧喬應該會復活一些吧,梁朝偉也該多點靈魂吧!

這讓我想再去找終極版的東邪西毒看看!!


more info:

http://udn.com/NEWS/ENTERTAINMENT/ENT3/7649999.shtml
http://udn.com/NEWS/ENTERTAINMENT/ENT3/7650011.shtml

2013年1月1日 星期二

movie: 건축학개론 (introduction to architecture)

Spending a leisure time during the new year's holiday seeing the korean movie "introduction to architecture", it brought me lots of memories in college. As an architecture student in school, it is true that girls like boys with artistic spirits, especially in those pure ideal dreams. However, more or less in reality, the more artistic a man keeps since the wild young age, the less smooth for him to fit into the money system. But the movie is easy and lovely for the old days and the new ones not yet coming.










插曲:youtube上有偶像團體super junior圭賢演唱該曲的影片,聽完後我只能說「Wow!」,韓國的偶像團體真不是蓋的,還蠻會唱的~~,聲音很真誠ㄟ,打破偶像無才的偏見。